Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Edited by Ellen Salpeter, Flavin Judd, and Alex Gartenfeld
Pre-owned, book and jacket in very good condition (a few pencil marks throughout)
Published in 2019
English
Hardcover with dust jacket
10 × 8.5 inches (25.4 × 21.6 cm)
135 pages / 68 images
ISBN: 9783791357546
This monograph was published on the occasion of the exhibition Donald Judd: Paintings, organized by the Institute of Contemporary Art, Miami, April 5–June 24, 2018. Donald Judd: Paintings marks the first museum exhibition dedicated to 14 rarely exhibited paintings, created from 1959 to 1961 when the artist was developing his ideas about color, space and exploring the limitations of the flat plane.
The exhibition offers an expanded understanding of the artist through this understudied facet of his practice. These paintings, which have not been on view together previously, reveal Judd’s transition from figuration to abstract compositions of color and lines that demonstrate his prevailing interest in structure and space. In the year after making these paintings, these elements evolved into Judd’s three-dimensional works and grounded the next three decades of his practice. (Source: ICA,Miami)
Published by the Institute of Contemporary Art, Miami and DelMonico Books / Prestel, Munich, London, and New York. Printed in Italy.
Pay in installments with Afterpay (select option during checkout).
Enter code 802 during checkout to remove the shipping cost and to pick up in Burlington, Vermont.
Edited by Ellen Salpeter, Flavin Judd, and Alex Gartenfeld
Pre-owned, book and jacket in very good condition (a few pencil marks throughout)
Published in 2019
English
Hardcover with dust jacket
10 × 8.5 inches (25.4 × 21.6 cm)
135 pages / 68 images
ISBN: 9783791357546
This monograph was published on the occasion of the exhibition Donald Judd: Paintings, organized by the Institute of Contemporary Art, Miami, April 5–June 24, 2018. Donald Judd: Paintings marks the first museum exhibition dedicated to 14 rarely exhibited paintings, created from 1959 to 1961 when the artist was developing his ideas about color, space and exploring the limitations of the flat plane.
The exhibition offers an expanded understanding of the artist through this understudied facet of his practice. These paintings, which have not been on view together previously, reveal Judd’s transition from figuration to abstract compositions of color and lines that demonstrate his prevailing interest in structure and space. In the year after making these paintings, these elements evolved into Judd’s three-dimensional works and grounded the next three decades of his practice. (Source: ICA,Miami)
Published by the Institute of Contemporary Art, Miami and DelMonico Books / Prestel, Munich, London, and New York. Printed in Italy.
Pay in installments with Afterpay (select option during checkout).
Enter code 802 during checkout to remove the shipping cost and to pick up in Burlington, Vermont.